2012 Classes
OnDemand classes are now listed in the “By Media” section of our online catalog. Before registering, please be sure to read our General Class Information or, if signing up for an OnDemand class, the OnDemand Class Information.
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07 July
A Bonsai Experience (SCU070112)
Sam Williams
July 1, 8, 15
Sundays, 1-4pm
Jax Member $91/ General Public $112/ Deposit $20
Practice the art of bonsai in a 3 day series class. The three days of class will build off of each other, and lead to stronger confidence, and at the same time introducing different styles of Bonsai. Day one will include the History of bonsai, encouraging the sharing of the experience, the solitude and the enlightenment of cultivating a small plant on a life long journey. From there Sam will explore the styles of Bonsai, i.e., Formal upright, Informal upright, Cascade, Wind swept, Slanting, Building a Forest style…and the variations of these styles. The Bonsai styles will carry forward to the other classes. There will be a demonstration, including bare root Bonsai specimen, initial styling, placing it in the Bonsai container, wiring and the use of the special Bonsai soil. Everyone will have the opportunity to work on a bonsai and complete a Bonsai the first night.
Days 2 and 3 will be dedicated to understanding the styles, selecting a style to do during the class and completing a Bonsai. Each participant should be able to complete at least one Bonsai per class. Time permitting, Sam will also introduce Bonsai using native South West Virginia specimens.
Minimum enrollment: 3, Maximum enrollment: 8
Minimum Age: Responsible Young Adult
Sam Williams was introduced to bonsai in South Florida in1973, attending a hands-on workshop with Norm Anderson. He soon joined the local bonsai club. Sam attended workshops sponsored by Ben Oki and studied under John Naka—attending his workshops for over 8 years. He also collected over 200 bonsai while living in Florida, most of which still reside there with his friends and associates. For Sam, bonsai is a way of life—a symbiotic relationship between the individual and the tree. Sam now lives in Willis, VA where he is a wildlife rehabilitator and bonsai guru.
Introduction to Borosilicate Glass (GLS072112)
Elizabeth Mears
July 21-22
Sat-Sun, 9am-5pm
Jax Member $82/ General Public $96
Deposit $25
Materials Fee: $20
Minimum Enrollment, 2: Maximum Enrollment, 5
Minimum Age: 18
Learn to use borosilicate glass, otherwise known as Pyrex, for sculptural work. The focus of this introductory class will be learning basic techniques for manipulating glass rods in the flame of the bench torch: making a gather, fusing two pieces of glass together, drawing out glass in a taper or a twist, making marias and transition shapes, and adding texture to other simple shapes. Learn about the different types of glass, color mixing and basic forming techniques.
This discounted weekend class includes directed study with Master Glass Artist, Elizabeth Mears, followed by half day practice sessions. The first half of the first day will begin with safety procedures and information about the studio set up and torches. That will be followed by discussion and demonstrations by Liz and torch time for students. The second half of the day will be practice time overseen by studio assistant, Lara Davis Phelps.
Elizabeth Ryland Mears is a full time, award winning, studio artist. Her material of choice is glass. Mears uses the lexicon of Nature images to describe her relationship to her inner and outer worlds, and her sculpture often combines glass with mixed media. Her work is represented by galleries across the United States and is included in numerous private, public and museum collections, as well as, many publications focused on contemporary art glass. “Flameworking,” written by Mears, was published in 2003 by LARK Books.
Soldered Pendants (JWL070212)
July 2
Mon, 9am-4pm
Jax Member $72/ General Public $88
Deposit $25
Materials Fee: $12
Minimum Enrollment, 3: Maximum Enrollment, 8
Minimum Age: 18
Learn to create a collaged or vintage image and then encase it in soldered silver and glass, making a unique metal frame. This mini frame can then be made into a pendant, ornament, earrings, or any other creative use. Tools and materials are provided. Some collage materials are included, but students are encouraged to bring personal treasures, such as images, beads, lace, etc. to incorporate in their own personal piece. Students should be able to make 2-3 pendants.
Gina Louthian-Stanley is a Roanoke County, Virginia native. She creates works in her studio, built in 1917, nestled in a hollow near a babbling creek. You can find her working in the studio most evenings and in the wee hours of the morning. She was born into an artistic family and is influenced by many artist and musician friends and mentors. Discovering printmaking, Gina did her thesis works in monotype and has primarily been a monotype printmaker since 1986. Her latest monotypes have been explorations in printing on alternative surfaces with various inks and oils using various viscosities to create the 'atmospheric' quality, which are symbolic to her works. Gina pursued an interest in continuing her creative endeavors and earned her B.A. Degree from Hollins University and followed by a Master's Degree from Radford University. She has received many artistic honors and awards, has been featured in several publications, and has artworks in corporate and private collections locally, nationally, and internationally.
http://ginalouthian-stanley.blogspot.com/
Penny Rugs (FIB070412)
July 4-6
Weds-Fri, 9am-5pm
Jax Member $243/ General Public $300
Deposit $75
Materials Fee: $20
Minimum Enrollment, 3: Maximum Enrollment, 8
Minimum Age: 18
Penny Rugs date back to the 18th century when frugal women used scraps of wool too small for hooking or braiding rugs to create items to decorate their homes. The term “penny rug” came from coins used to make circles which were stitched onto burlap or feed sack backings to give them weight. The penny on early days was much larger than today’s penny! Other shapes were also appliquéd – animals, people, florals, etc. These “rugs” were not made to be used on floors, but on beds, table tops, mantels or as pillows and wall hangings.
In this class students will learn to cut circles of various sizes, how to attach them with the blanket stitch and also how to design a runner or small table mat using felted wool. There are many possibilities. Some hand sewing experience will be helpful, but not necessary.
Materials list:
chinelle or tapestry needles
sharp scissors
long pins with glass or plastic heads
optional: woolen or wool-mix felt
Betsy Orlando has been creating things almost all her life. Primarily a dollmaker working in fabric, she has been intrigued with paper and mixed media both in dollmaking and altered books for over ten years. She has taught book classes locally and at the John C. Campbell Folk School. She is a member of the Allegany Artisans and some of her work can be seen on their website.
http://www.orlandoforge.com/Betsy_Orlando.htm
Fundamentals at the Forge (BLK070412)
July 4-6
Weds-Fri, 9am-5pm
Jax Member $243/ General Public $300
Deposit $75
Materials Fee: $30
Minimum Enrollment, 3: Maximum Enrollment, 12
Minimum Age: 14
Stoke your creative fires with Master Blacksmith and instructor, Charles Orlando. Beginning and intermediate students will learn or improve the basic forging skills required in blacksmithing. Participants will practice fire management, drawing out, shaping, punching, cutting, welding, and heat treating. These skills will be applied on small projects for the beginner, and larger projects for those with some experience. Efficiency in the use of time and tools while working around the anvil will be stressed.
Charles Orlando has been blacksmithing since 1978 and teaching and demonstrating efficient forging skills in all parts of the country for more than twenty years to blacksmiths and farriers. In addition to small sale items, his custom work has been the mainstay of his business and his work can be seen in many private and public facilities in the east and mid-west.
Examples of his work can be seen in the gallery on his website: www.orlandoforge.com
Garden Sculpture (SCU070912)
Jayn Avery & Lee Chichester
July 9-13
Mon-Fri, 10am-1pm
Jax Member $153/ General Public $188
Deposit $50
Materials Fee: $20-$40
Minimum Enrollment, 4: Maximum Enrollment, 10
Minimum Age: Responsible Young Adult
Design and build your own sturdy, weatherproof garden sculptures that are light enough to move when you want a change-up in your garden, yet withstand the tests of time in the outdoors. Participants will design, assemble, shape, and manipulate a lightweight under-structure, then surface it with a weatherproof skin on which paint/plaster/tile can be added to create the fantastic or realistic sculpture. Information about materials, resources and an overview of design and function possibilities will give students all they need to set up their own projects at home.
Jayn Avery is a self-taught potter/sculptor/writer living in Floyd County, Virginia. The direction of her life was changed by one introductory class in pottery taken at Cornell University while she was a student working on her MS in environmental education. She founded Blue Heron Pottery in 1975 and her unique functional lace-impressed slabwork has become a Floyd County exemplar. As an advocate of simple living, she bases her technique on the principles of least cost, least equipment, and maximum use of available resources. Her teaching emphasis is on personal creativity and resourcefulness. www.blueheronpotterystudio.com
Lee Chichester is by trade a freelance writer and regularly educates groups about birds of prey and falconry. She also teaches and takes classes at The Jax. One memorable class she took was with Jayn Avery several years ago, learning how to make lightweight garden sculptures. After the pieces created in the class, she experimented with materials and structures to build a 10-ft. dragon that now resides along her fence line in Floyd County. Continuing the exploration, Jayn and Lee have conspired to re-create the class, and present it again.
Rings & Things in Precious Metal Clay (JWL072112)
Annie Armistead
July 21
Sat, 9am-5pm
Jax Member $81/ General Public $100
Deposit $25
Materials Fee: $120
Minimum Enrollment, 3: Maximum Enrollment, 6
Minimum Age: 18
Take your PMC skills to the next level! Students will be making a textured ring band, learning the techniques used for incorporating an irregular shaped stone into a PMC pendant and use PMC paste, sheet and syringe to make and embellish a vessel. The class fee includes the use of all studio tools, 16grams PMC3 clay, one package PMC sheet and 9grams PMC syringe and a stone. Since the size of each individual project varies, extra clay will be available for purchase during the workshop. Previous PMC experience is required.
Annie Armistead has been creating different forms of jewelry for the past seven years. After discovering the relatively new medium, precious metal clay, she knew she had found her true love and immersed herself in all things metal clay. She then went on to pursue certification to teach from Precious Metal Clay Connection. Annie’s jewelry has been sold in numerous boutiques and galleries throughout the Southeast.
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Missing our hardcopy catalogs or know someone who doesn’t get online very often? You can get information about upcoming classes and events at the Jax in Floyd’s own Museletter, a nonprofit, homespun cut-and-paste print publication of poetry, musings, community events and more. The Museletter is mailed monthly and subscriptions are only $15 for a year ($16 if subscribing online through their Facebook Shop). Subscription fees and content submissions should be mailed to CERC Museletter, P.O. Box 81, Floyd, VA 24091. Content submissions and questions can be emailed to museletterfloyd@gmail.com.


